Author:
Xiaoyun Wu
Publisher:
Archaeopress
Publication Year:
2013
Abstract:
This book concerns the ways in which the adaption of a steppe innovation, the horse-drawn chariot, in Chinese society during the 12th - 3rd century BCE contributed profoundly to the development of Chinese political and social value. The importance of the steppe driving skill in warfare, and political and ritual ceremonies in Chinese society not only brought a number of steppe people to serve in Chinese states, but also largely transformed Chinese social, political, and burial practices, and value systems. These early uses were reinterpreted in later periods and still have their influence today
Table of Contents:
Introduction.
Historical background ; Literature Review ; Research Approaches ; Organization of the book
The Origins: the Shang Chariot and Their Steppe Associations.
Introduction ; Components of the Shang chariot set ; The origins of the Shang chariot set ; The adaption of steppe chariots in the late Shang society
The Golden Chariot of the Zhou.
Background ; Associations between the Zhou chariot and the Steppe culture ; The development of social roles of chariots in the Western Zhou period ; Chariots in the Eastern Zhou period ; The adoption of Zhou fittings by northern steppe groups
Chariots, Steppe Elements, and the Zhou Elite's Local Networks.
Introduction ; Negotiation with steppe groups: cases from the Yan state and its periphery ; Gender and ethnic expressions of chariot burials in a local context: cases from the cemetery of the Jin ruling family ; Adopting chariots in the south in the middle Yangtze River valley ; Later developments
The Chariot of Early China: a Cultural Symbol
Showing posts with label 商代 Shang dynasty. Show all posts
Showing posts with label 商代 Shang dynasty. Show all posts
Sunday, December 18, 2016
Thursday, October 20, 2016
The Zoomorphic Imagination in Chinese Art and Culture
Editors:
Jerome Silbergeld; Eugene Yuejin Wang
Publisher:
University of Hawaiʻi Press
Publication Date:
2016
Abstract:
China has an age-old zoomorphic tradition. The First Emperor
was famously said to have had the heart of a tiger and a wolf. The
names of foreign tribes were traditionally written with characters
that included animal radicals. In modern times, the communist
government frequently referred to Nationalists as “running dogs,”
and President Xi Jinping, vowing to quell corruption at all levels,
pledged to capture both “the tigers” and “the flies.” Splendidly
illustrated with works ranging from Bronze Age vessels to
twentieth-century conceptual pieces, this volume is a
wide-ranging look at zoomorphic and anthropomorphic imagery
in Chinese art. The contributors, leading scholars in Chinese art
history and related fields, consider depictions of animals not as
simple, one-for-one symbolic equivalents: they pursue in depth,
in complexity, and in multiple dimensions the ways that Chinese
have used animals from earliest times to the present day to
represent and rhetorically stage complex ideas about the world
around them, examining what this means about China, past and
present.
In each chapter, a specific example or theme based on real or
mythic creatures is derived from religious, political, or other
sources, providing the detailed and learned examination needed
to understand the means by which such imagery was embedded
in Chinese cultural life. Bronze Age taotie motifs, calendrical
animals, zoomorphic modes in Tantric Buddhist art, Song
dragons and their painters, animal rebuses, Heaven-sent
auspicious horses and foreign-sent tribute giraffes, the fantastic
specimens depicted in the Qing Manual of Sea Oddities, the
weirdly indeterminate creatures found in the contemporary art of
Huang Yong Ping—these and other notable examples reveal
Chinese attitudes over time toward the animal realm, explore
Chinese psychology and patterns of imagination, and explain
some of the critical means and motives of Chinese visual culture.
Table of Contents:
The taotie motif on early Chinese ritual bronzes / Sarah Allan
Labeling the creatures : some problems in Han and Six Dynasties iconography / Susan Bush
Representing the twelve calendrical animals as beastly, human, and hybrid beings in medieval China / Judy Chungwa Ho
The didactic use of animal images in Southern Song Buddhism : the case of Mount Baoding in Dazu, Sichuan / Henrik H. Sørensen
The evolution of soushan tu paintings in the Northern Song period / Carmelita Hinton
Animals in Chinese rebus paintings / Qianshen Bai
The pictorial form of a zoomorphic ecology : dragons and their painters in Song and Southern Song China / Jennifer Purtle
The political animal : metaphoric rebellion in Zhao Yong's painting of heavenly horses / Jerome Silbergeld
How the giraffe became a qilin : intercultural signification in Ming Dynasty arts / Kathlyn Liscomb
Weird science : European origins of the fantastic creatures in the Qing court painting, The manual of sea oddities / Daniel Greenberg
Huang Yong Ping and the power of zoomorphic ambiguity / Kristina Kleutghen
Jerome Silbergeld; Eugene Yuejin Wang
Publisher:
University of Hawaiʻi Press
Publication Date:
2016
Abstract:
China has an age-old zoomorphic tradition. The First Emperor
was famously said to have had the heart of a tiger and a wolf. The
names of foreign tribes were traditionally written with characters
that included animal radicals. In modern times, the communist
government frequently referred to Nationalists as “running dogs,”
and President Xi Jinping, vowing to quell corruption at all levels,
pledged to capture both “the tigers” and “the flies.” Splendidly
illustrated with works ranging from Bronze Age vessels to
twentieth-century conceptual pieces, this volume is a
wide-ranging look at zoomorphic and anthropomorphic imagery
in Chinese art. The contributors, leading scholars in Chinese art
history and related fields, consider depictions of animals not as
simple, one-for-one symbolic equivalents: they pursue in depth,
in complexity, and in multiple dimensions the ways that Chinese
have used animals from earliest times to the present day to
represent and rhetorically stage complex ideas about the world
around them, examining what this means about China, past and
present.
In each chapter, a specific example or theme based on real or
mythic creatures is derived from religious, political, or other
sources, providing the detailed and learned examination needed
to understand the means by which such imagery was embedded
in Chinese cultural life. Bronze Age taotie motifs, calendrical
animals, zoomorphic modes in Tantric Buddhist art, Song
dragons and their painters, animal rebuses, Heaven-sent
auspicious horses and foreign-sent tribute giraffes, the fantastic
specimens depicted in the Qing Manual of Sea Oddities, the
weirdly indeterminate creatures found in the contemporary art of
Huang Yong Ping—these and other notable examples reveal
Chinese attitudes over time toward the animal realm, explore
Chinese psychology and patterns of imagination, and explain
some of the critical means and motives of Chinese visual culture.
Table of Contents:
The taotie motif on early Chinese ritual bronzes / Sarah Allan
Labeling the creatures : some problems in Han and Six Dynasties iconography / Susan Bush
Representing the twelve calendrical animals as beastly, human, and hybrid beings in medieval China / Judy Chungwa Ho
The didactic use of animal images in Southern Song Buddhism : the case of Mount Baoding in Dazu, Sichuan / Henrik H. Sørensen
The evolution of soushan tu paintings in the Northern Song period / Carmelita Hinton
Animals in Chinese rebus paintings / Qianshen Bai
The pictorial form of a zoomorphic ecology : dragons and their painters in Song and Southern Song China / Jennifer Purtle
The political animal : metaphoric rebellion in Zhao Yong's painting of heavenly horses / Jerome Silbergeld
How the giraffe became a qilin : intercultural signification in Ming Dynasty arts / Kathlyn Liscomb
Weird science : European origins of the fantastic creatures in the Qing court painting, The manual of sea oddities / Daniel Greenberg
Huang Yong Ping and the power of zoomorphic ambiguity / Kristina Kleutghen
Labels:
Animal 動物,
Art 藝術,
Pre-Qin 先秦,
商代 Shang dynasty,
書介Book,
漢代 Han dynasty,
魏晉南北朝 Wei--Jin-Nan-Bei-Chao
Friday, September 23, 2016
殷−中国史最古の王朝
Author:
落合淳思 (OCHIAI Atsushi)
Publisher:
中央公論新社
Publication Date:
January 22, 2015
Abstract:
殷王朝は、今から三〇〇〇年以上も前に中国に実在した王朝である。酒池肉林に耽る紂王の伝説など、多くの逸話が残されているが、これらは『史記』をはじめとする後世の史書の創作である。いまだ謎多き殷王朝の実像を知るには、同時代資料である甲骨文字を読み解かねばならない。本書は、膨大な数にのぼる甲骨文字から、殷王朝の軍事や祭祀、王の系譜、支配体制と統治の手法などを再現し、解明したものである。
Table of Contents:
序章 甲骨文字に記された殷王朝の社会
第1章 殷王朝の前期・中期
第2章 殷王朝の支配体制
第3章 神々への祭祀儀礼
第4章 戦争と神秘性による支配―紀元前十三世紀
第5章 政治の転換と安定期の到来―紀元前十二世紀
第6章 動揺、集権化、そして滅亡―紀元前十一世紀
終章 殷王朝の歴史的位置
落合淳思 (OCHIAI Atsushi)
Publisher:
中央公論新社
Publication Date:
January 22, 2015
殷王朝は、今から三〇〇〇年以上も前に中国に実在した王朝である。酒池肉林に耽る紂王の伝説など、多くの逸話が残されているが、これらは『史記』をはじめとする後世の史書の創作である。いまだ謎多き殷王朝の実像を知るには、同時代資料である甲骨文字を読み解かねばならない。本書は、膨大な数にのぼる甲骨文字から、殷王朝の軍事や祭祀、王の系譜、支配体制と統治の手法などを再現し、解明したものである。
Table of Contents:
序章 甲骨文字に記された殷王朝の社会
第1章 殷王朝の前期・中期
第2章 殷王朝の支配体制
第3章 神々への祭祀儀礼
第4章 戦争と神秘性による支配―紀元前十三世紀
第5章 政治の転換と安定期の到来―紀元前十二世紀
第6章 動揺、集権化、そして滅亡―紀元前十一世紀
終章 殷王朝の歴史的位置
Sunday, August 7, 2016
Ancient China: A History
Authors:
John S. Major, Constance A. Cook
Publisher:
Routledge
Publication Date:
August 8, 2016
Abstract:
Ancient China: A History surveys the East Asian Heartland Region – the geographical area that eventually became known as China – from the Neolithic period through the Bronze Age, to the early imperial era of Qin and Han, up to the threshold of the medieval period in the third century CE. For most of that long span of time there was no such place as "China"; the vast and varied territory of the Heartland Region was home to many diverse cultures that only slowly coalesced, culturally, linguistically, and politically, to form the first recognizably Chinese empires.
The field of Early China studies is being revolutionized in our time by a wealth of archaeologically recovered texts and artefacts. Major and Cook draw on this exciting new evidence and a wealth of contemporary scholarship to present a leading-edge account of ancient China and its antecedents.
With handy pedagogical features such as maps and illustrations, as well as an extensive list of recommendations for further reading, Ancient China: A History is an important resource for undergraduate and postgraduate courses on Chinese History, and those studying Chinese Culture and Society more generally.
Table of Contents:
1. Introduction to Ancient China
2. Geography, Climate, and the Physical Setting of Chinese History
3. The Neolithic Era and the Jade Age
4. The Early Bronze Age
5. The Shang Dynasty
6. The Western Zhou Period
7. The Spring and Autumn Period
8. The Warring States Period
9. The Rise and Fall of the Qin Dynasty
10. The Han Dynasty through the Reign of Emperor Wu
11. The Later Western Han and the Wang Mang Interregnum
12. The Han Restoration, the Eastern Han Dynasty, and the Three Kingdoms
John S. Major, Constance A. Cook
Publisher:
Routledge
Publication Date:
August 8, 2016
Abstract:
Ancient China: A History surveys the East Asian Heartland Region – the geographical area that eventually became known as China – from the Neolithic period through the Bronze Age, to the early imperial era of Qin and Han, up to the threshold of the medieval period in the third century CE. For most of that long span of time there was no such place as "China"; the vast and varied territory of the Heartland Region was home to many diverse cultures that only slowly coalesced, culturally, linguistically, and politically, to form the first recognizably Chinese empires.
The field of Early China studies is being revolutionized in our time by a wealth of archaeologically recovered texts and artefacts. Major and Cook draw on this exciting new evidence and a wealth of contemporary scholarship to present a leading-edge account of ancient China and its antecedents.
With handy pedagogical features such as maps and illustrations, as well as an extensive list of recommendations for further reading, Ancient China: A History is an important resource for undergraduate and postgraduate courses on Chinese History, and those studying Chinese Culture and Society more generally.
Table of Contents:
1. Introduction to Ancient China
2. Geography, Climate, and the Physical Setting of Chinese History
3. The Neolithic Era and the Jade Age
4. The Early Bronze Age
5. The Shang Dynasty
6. The Western Zhou Period
7. The Spring and Autumn Period
8. The Warring States Period
9. The Rise and Fall of the Qin Dynasty
10. The Han Dynasty through the Reign of Emperor Wu
11. The Later Western Han and the Wang Mang Interregnum
12. The Han Restoration, the Eastern Han Dynasty, and the Three Kingdoms
Labels:
三國 Three Kingdoms,
先秦Pre-Qin,
商代 Shang dynasty,
書介Book,
漢代 Han dynasty,
秦 Qin,
考古 Archaeology
Friday, June 27, 2014
地下からの贈り物 新出土資料が語るいにしえの中国
Editor:
中国出土資料学会
Publisher:
東方書店
Publication Year:
2014
Abstract:
出土資料を扱う研究の歴史が長いことは本書の中でも触れられているとおりですが、近年資料が次々発見されたことで、出土資料研究は日本に限らず、中国をはじめとした世界中で活気を帯びています。そして出土資料を使った研究により、これまでわからなかった中国の近代以前の実像が徐々に明らかになってきています。このような新しい研究状況を広く知ってもらいたい、それが本書を学会として編集するに到った理由です。また近年、中国の古い時代に興味を持つ若い世代の人が少なくなる傾向があります。現代の社会が大きく変化している中で、他国の歴史、それも古い時代に興味を持つことが難しくなっていることが背景にあると思いますが、そのなかでも少しでも多くの人に近代以前の中国の面白さを知ってもらい、興味を持ってもらいたい……、そう考えたことも本書を作る契機になりました。
Table of Contents:
はじめに―出土資料って何? 原宗子
目次
用語の説明
第1章 出土資料でわかること
1-1 地下の文書館を掘る 小澤正人
1-2 殷周時代の文字資料―甲骨文・金文― 角道亮介
1-3 ベールを開いた「法治」 石岡 浩
1-4 大昔の犯罪捜査と裁判を覗く 水間大輔
1-5 王様と暦 平勢隆郎
1-6 「家族」のあり方 小寺 敦
1-7 何を食べていたのか 村上陽子
1-8 自然環境の変化を辿る 原 宗子
1-9 青銅貨幣は語る 江村治樹
1-10 祀りと占いの世界 池澤 優
1-11 諸子百家はどう展開したか 西山尚志
1-12 絹に記す典籍、木切れに書く便り 工藤元男
1-13 経学とは何か 池田知久
1-14 儒家思想が台頭するまで 井ノ口哲也
1-15 文字はこう変わった 大西克也
1-16 南方の風俗・文化は独自か?-楚簡の世界 森 和
1-17 医学の発生 真柳 誠
1-18 太極拳のルーツ 川村 潮
1-19 謎の人物が判った! 友田真理
1-20 戦争はこう変わった 下田 誠
1-21 歌とコトバと音楽と 荻野友範
1-22 神話の消滅と誕生 吉冨 透
1-23 画像は語る 菅野恵美
1-24 地域の取り決めを記す 小嶋茂稔
1-25 中国古代のボードゲーム 鈴木直美
1-26 『三国志』のウラガワ 阿部幸信
第2章 どこから何が出てきたか
地図
2-1 敦煌・トゥルファン(甘粛省・新疆ウイグル自治区) 關尾史郎
2-2 エチナ~居延(内蒙古自治区) 吉村昌之
2-3 馬王堆(湖南省) 名和敏光
2-4 銀雀山(山東省) 水野 卓
2-5 鳳凰山(湖北省) 柿沼陽平
2-6 睡虎地(湖北省) 飯尾秀幸
2-7 宝鶏県太公廟・梁帯村芮国墓地(陝西省) 高津純也
2-8 阜陽双古堆(安徽省) 冨田美智江
2-9 襄汾陶寺(山西省)と周原(陝西省) 岡本真則
2-10 張家山(湖北省) 椎名一雄
2-11 天水(甘粛省) 海老根量介
2-12 包山(湖北省) 廣瀬薫雄
2-13 龍崗(湖北省) 馬彪
2-14 敦煌懸泉置(甘粛省) 藤田勝久
2-15 尹湾(江蘇省) 渡邉将智
2-16 郭店(湖北省)と〈上博楚簡〉 谷中信一
2-17 長沙(湖南省) 伊藤敏雄
2-18 里耶(湖南省) 青木俊介
2-19 郴州(湖南省)と南京(江蘇省) 永田拓治
2-20 長安(陝西省)と固原(寧夏回族自治区) 小林 岳
コラム 「骨董簡」とよばれるモノ 冨谷 至
あとがき 小澤正人
お薦め文献
中国出土資料学会
Publisher:
東方書店
Publication Year:
2014
Abstract:
出土資料を扱う研究の歴史が長いことは本書の中でも触れられているとおりですが、近年資料が次々発見されたことで、出土資料研究は日本に限らず、中国をはじめとした世界中で活気を帯びています。そして出土資料を使った研究により、これまでわからなかった中国の近代以前の実像が徐々に明らかになってきています。このような新しい研究状況を広く知ってもらいたい、それが本書を学会として編集するに到った理由です。また近年、中国の古い時代に興味を持つ若い世代の人が少なくなる傾向があります。現代の社会が大きく変化している中で、他国の歴史、それも古い時代に興味を持つことが難しくなっていることが背景にあると思いますが、そのなかでも少しでも多くの人に近代以前の中国の面白さを知ってもらい、興味を持ってもらいたい……、そう考えたことも本書を作る契機になりました。
Table of Contents:
はじめに―出土資料って何? 原宗子
目次
用語の説明
第1章 出土資料でわかること
1-1 地下の文書館を掘る 小澤正人
1-2 殷周時代の文字資料―甲骨文・金文― 角道亮介
1-3 ベールを開いた「法治」 石岡 浩
1-4 大昔の犯罪捜査と裁判を覗く 水間大輔
1-5 王様と暦 平勢隆郎
1-6 「家族」のあり方 小寺 敦
1-7 何を食べていたのか 村上陽子
1-8 自然環境の変化を辿る 原 宗子
1-9 青銅貨幣は語る 江村治樹
1-10 祀りと占いの世界 池澤 優
1-11 諸子百家はどう展開したか 西山尚志
1-12 絹に記す典籍、木切れに書く便り 工藤元男
1-13 経学とは何か 池田知久
1-14 儒家思想が台頭するまで 井ノ口哲也
1-15 文字はこう変わった 大西克也
1-16 南方の風俗・文化は独自か?-楚簡の世界 森 和
1-17 医学の発生 真柳 誠
1-18 太極拳のルーツ 川村 潮
1-19 謎の人物が判った! 友田真理
1-20 戦争はこう変わった 下田 誠
1-21 歌とコトバと音楽と 荻野友範
1-22 神話の消滅と誕生 吉冨 透
1-23 画像は語る 菅野恵美
1-24 地域の取り決めを記す 小嶋茂稔
1-25 中国古代のボードゲーム 鈴木直美
1-26 『三国志』のウラガワ 阿部幸信
第2章 どこから何が出てきたか
地図
2-1 敦煌・トゥルファン(甘粛省・新疆ウイグル自治区) 關尾史郎
2-2 エチナ~居延(内蒙古自治区) 吉村昌之
2-3 馬王堆(湖南省) 名和敏光
2-4 銀雀山(山東省) 水野 卓
2-5 鳳凰山(湖北省) 柿沼陽平
2-6 睡虎地(湖北省) 飯尾秀幸
2-7 宝鶏県太公廟・梁帯村芮国墓地(陝西省) 高津純也
2-8 阜陽双古堆(安徽省) 冨田美智江
2-9 襄汾陶寺(山西省)と周原(陝西省) 岡本真則
2-10 張家山(湖北省) 椎名一雄
2-11 天水(甘粛省) 海老根量介
2-12 包山(湖北省) 廣瀬薫雄
2-13 龍崗(湖北省) 馬彪
2-14 敦煌懸泉置(甘粛省) 藤田勝久
2-15 尹湾(江蘇省) 渡邉将智
2-16 郭店(湖北省)と〈上博楚簡〉 谷中信一
2-17 長沙(湖南省) 伊藤敏雄
2-18 里耶(湖南省) 青木俊介
2-19 郴州(湖南省)と南京(江蘇省) 永田拓治
2-20 長安(陝西省)と固原(寧夏回族自治区) 小林 岳
コラム 「骨董簡」とよばれるモノ 冨谷 至
あとがき 小澤正人
お薦め文献
Labels:
先秦Pre-Qin,
商代 Shang dynasty,
書介Book,
秦 Qin,
簡牘 Bamboo Slips
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