Author:
Filippo Marsili
Publication date:
December, 2018
Publisher:
SUNY Press
Abstract:
Heaven Is Empty offers a new comparative perspective on the role of the sacred in the formation of China’s early empires (221 BCE–9 CE) and shows how the unification of the Central States was possible without a unitary and universalistic conception of religion. The cohesive function of the ancient Mediterranean cult of the divinized ruler was crucial for the legitimization of Rome’s empire across geographical and social boundaries. Eventually reelaborated in Christian terms, it came to embody the timelessness and universality of Western conceptions of legitimate authority, while representing an analytical template for studying other ancient empires. Filippo Marsili challenges such approaches in his examination of the reign of Emperor Wu of the Han (141–87 BCE). Wu purposely drew from regional traditions and tried to gain the support of local communities through his patronage of local cults. He was interested in rituals that envisioned the monarch as a military leader, who directly controlled the land and its resources, as a means for legitimizing radical administrative and economic centralization. In reconstructing this imperial model, Marsilire interprets fragmentary official accounts in light of material evidence and noncanonical and recently excavated texts. In bringing to life the courts, battlefields, markets, shrines, and pleasure quarters of early imperial China, Heaven Is Empty provides a postmodern and postcolonial reassessment of “religion” before the arrival of Buddhism and challenges the application of Greco-Roman and Abrahamic systemic, identitary, and exclusionary notions of the “sacred” to the analysis of pre-Christian and non-Western realities.
Table of Contents:
Introduction: An Empire without a “Religion”
1. Readings of the “Sacred”: Chinese Religion, Chinese Religions, and Religions in China
2. Writing the Empire: Ex Pluribus Plurima
3. Narrating the Empire: Metaphysics without God, “Religions” without Identity
4. Time, Myth, and Memory: Of Water, Metal, and Cinnabar
5. Place and Ritual: From Templum to Text
Conclusions: The Importance of Getting Lost
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