Author:
Fu, Su 付蘇
Issue Date:
2019
School:
Princeton University
Abstract:
This dissertation investigates the construction of Chuci (a collection of poems purportedly written by the legendary figure Qu Yuan and his followers) as a southern anthology and literary tradition from Han (202 BCE- 220 CE) to Song (960-1279). It demonstrates that, rather than inherent in the text per se, the traits conventionally recognized as marks of the anthology’s southernness were cultural and political constructs with an agenda to articulate a southern identity for both state and literati. To that end, the dissertations examines the anthologizing practices, together with a close reading of commentaries, prefaces, letters, and imitations. The dissertation is divided into five chapters. Chapter One examines the Han compilation and valorization of Chuci in relation with Qu Yuan’s Chu identity. The trajectory of conception of Chuci through Six Dynasties (222-589) and Tang (618-907) are arranged thematically in three chapters. Each chapter probes one of the literary images of Chu—a symbol for displacement, a culture of lewd rites, and a fallen state—and its impact on the Chuci exegesis and assessment. The entire narrative ends in Chapter Five at the Song when previous proliferation of meaning and debates on the anthology’s value were transformed into a new country-wide recognition of its canonical status, with Southern Song literati identification of Chu as a tragic predecessor. In particular, by defining Chuci as a style exclusively bound to the southland, Southern Song literati claimed their exclusive ownership of the cultural heritage of the anthology and further implicitly claimed for the Song court’s cultural authority in the face of military threat from the northern nomads.
Table of Contents:
Introduction
Chapter One. Rise of Chu Anthology and Paragon in the Han Empire
Chapter Two. The Chu Sojourner and Chuci as a Voice of Plaint
Chapter Three. Elixir and Lust: Chuci as A Language of Desire
Chapter Four. A Perished State and A “Southern” Literary Style
Chapter Five. The Song Reappraisal and Regionalization: Chuci as a Heritage of the South
Thursday, June 9, 2022
Saturday, June 4, 2022
[Dissertation] The First Imperial Transition in China: A Microhistory of Jiangling (369 – 119 BCE)
Author:
Shen, Dewei
Shen, Dewei
School:
Yale University
Yale University
Year:
2021.
2021.
Abstract:
This dissertation challenges the dominant historical narrative about the rise of early Chinese empires, the Qin (221 – 206 BCE) and the Han (202 – 220 BCE), which tends to fixate on the grand strategy and military power of the conquerors while neglecting the agency of the conquered populations. To counteract this one-sided narrative, I investigate the area of Jiangling 江陵 in the middle Yangzi River region, where the capital of Chu 楚—then the most powerful state in South China—was located. Qin’s invasion of the Chu capital area in 278 BCE and Han’s takeover of it in 202 BCE make Jiangling an ideal case study for tracing how a former regional center responded to the rising imperial order from the mid-fourth through the second century BCE. Drawing on a wealth of new archaeological and manuscript evidence, this dissertation is among the first within early China studies to offer a locality-centered microhistory.
Chapter 1 analyzes the anatomy of this narrative, which I call the Great Unification—or dayitong 大一統—narrative. Chapter 2 examines settlement and architectural remains from Jinancheng 紀南城 and Yingcheng 郢城 to expose the reality of the Qin conquest. The available evidence suggests that the Qin invaders did not destroy indiscriminately but exercised violence strategically and relied on local know-how to fortify their colonial headquarters. Chapter 3 explores the changing mortuary landscape in Jiangling and the funeral workmen communities in particular. It argues that social change in postconquest Jiangling was the result of a series of negotiations between the native communities and the colonial governments, negotiations that were as constrained by local conditions as they were by imperial directives. Chapter 4 devises a funeral organizers-centered perspective to trace cultural shifts in Jiangling. Through a statistical analysis of the burial objects arranged by funeral organizers and their changing mortuary representations in tombs, the chapter reveals that cultural perceptions related to food and drink, personal property, and government service were deeply affected by the intrusion of Qin and Han modes of social organization. Chapter 5 scales up to a more macro level to analyze the institutional development of three rank systems, i.e., Qin, Neo-Chu, and Han. It discovers an important phenomenon called “rank inflation” and argues that the different ways of controlling rank inflation had a profound effect on Jiangling denizens. Chapter 6 utilizes a group of mortuary documents called gaodice 告地策 (“notifications to underworld authorities”) to focus on the lived experience of three widows of top rank-holders in Jianging, whose tombs were interred with such documents. The chapter reveals the tensions within newly emergent and liminal rank-related identities in the wake of the Han imperial incursion in Jiangling. In a brief conclusion, the dissertation offers some reflections on how to write the first imperial transition free from the Great Unification mantra.
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